‘It was laid down at the start that the work was to be done ‘unseen, unheard and unknown’. My anonymity was to be preserved. When the task is finished I shall hand the account to my Master for use at Her absolute discretion.’Unseen Unheard Unknown repositions experiences I had surrounding a prominent cult that inhabited the Dandenong Ranges throughout the late 1900s into contexts of performativity and the ambiguity and mutation of retold memories. It is a story about magick, syncronicities and the third choice. Over the course of several mettings during 2018 I met with anonymous, who towards the end of our time together gifted me a painting while on the premises of SEVENTH Gallery in the Gertrude St days. The painting was, according to anonymous, a portrait of me passed down by extraterrestrials. Later in the preceding months, energised through the power of psychedelics, a ‘presence’ tried to remove my spirit from the body I inhabit.