Bon Mott is a neurodiverse, nonbinary artist, curator and educator who exhibits internationally. Thier practice is informed by learning Indigenous Knowledge. Living on stolen land, Mott is committed to collaborating with First Nations creatives. They make sculpture site-specific installations activated by performance art using process, film, photography, sound, silk, steel, bronze, magnets, chains and beads.

Agnes Whalan is a queer artist, writer and musician who is currently studying a BFA in Drawing and Printmedia at the Victorian College of the Arts.Their practice explores systemic phenomena in the context of the anthropocene. Through a compulsive investigation of contemporary structures, their work follows a logic of both semblance and paradox to catalogue self-ascribed taxonomies.

Kori is an interdisciplinary and process-based takataapui artist, currently working and living on sacred Wurundjeri land in Naarm/Melbourne. They are of Maaori (Ngaati Raukawa, Ngaati Ahuru, Tainui/Waikato), Italian, Scottish & Anglo-Celtic descent, but born and raised in so-called Australia. They predominantly utilise performance, installation, sculpture, photography, video and poetry as mediums to explore/articulate ideas, knowledge and stories.

Kori’s practice is guided by the stories of Maaui—the trickster demigod of Maaori mythology—and how Maaui’s clever wit combined with the powers of shape-shifting and interdimensional travel are used to undermine structural authority and cause a paradigm shift in power distribution - a social and systemic change that benefits those with less privilege and access. Kori’s practice manifests visions that confront the ongoing damage of colonial and heteronormative social structures, whilst concurrently fostering a space for contemplation on transgression, eroticism, liberation, humour, healing, regeneration and resilience.