In this project, I am experimenting with wood to reintroduce a new technique and expression of storytelling inspired from my traditional Serui prau (traditional Northern Papuan canoe) painting within a contemporary context living as a settler in Naarm (Melbourne, Australia). I aim to create a series of Seruian prau paintings which reflect contemporary influences, while embracing simplicity and cultural diversity. Not only does storytelling mirror social relations in innovative ways, it is an organic part of the spiritual realm, geographic location, and growth of the Seruian people and Pacific communities. Blue Eden will visualise the geopolitical turmoil that has been led by the major power countries surrounding the Pacific ocean that can determine their future’s climate, socio-economic and international relations. I aim to encourage conversations around the geopolitical risks among the people and the wider community, to draw connections between our lives in the diaspora and what is happening on the ground.

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