Audrey and Emmett from Loss in a simulated environmentJacqueline Felstead engages with 3D technology (photogrammetry) to map the empathetic rather than calculate the quantifiable. In practice this involves attempting to replicate near-irreproducible states, such as rendering in a 3D model an hour of someone’s time, or documenting a bird’s-eye view while on the ground. Audrey and Emmett is unusual in that it is a 3D model made from hundreds of photographs taken over an extended period of time, so that in this model features become prominent by being constant. Here the nearness offered by a technology that can see around corners juts up against the closeness over time between two figures.